DOI: 10.24411/2470-1262-2020-10078
Abstract: The present paper outlines that the category of “aesthetic”, closely related to the conception of “art”, appeared from the philosophical world outlook and maintained an inclination to “the perception in art” as one of its basic invariable characteristics. The aesthetics of the Hellenism epoch was based on the growing influence of sensual-irrational tendencies in art. The main subject of the study of medieval aesthetics became a super-sensual world wherewith the concept of beauty and aesthetic pleasure can be defined more precisely. Having transformed during the Renaissance, the anthropoid aesthetic consciousness universalized a centric concept of “perception” as a psychological state of the person perceiving a work of art. The Recent centuries again brought human
attention to the irrational sensory psychological perception in discourses about the art, which was solved by the association. The schools of thought studying such category of “aesthetic” as the aesthetic subjectivism and the aesthetics within the framework of the empirical psychology appeared during that period. The Recent centuries were marked by overstepping the limits of the philosophicalworldview and conceptions: aesthetics “in-sensation”, spiritual aesthetic synthesis, creativity association, phenomenological and semantic aesthetics.
The paper underlines that the aesthetic facts were interpreted by the language of physical
phenomena in their aggregate. The conversion to the cognition and an assessment of aesthetic things was outlined by means of the irrational sub-modal perception with distortion of the previous original shape of artwork’s existence, where a determinative harmonious part was assigned for the content or the language fact in the institutionalization of the artistic work.
The present paper emphasizes that many famous contemporary artists with synesthesia
technique use their synesthesia to create their artwork; they experience an involuntary joining or crossing of any of her senses – hearing, vision, taste, touch, smell and movement; they paint from life rather than from photographs and by exploring the sensory panorama of each locale attempts to capture, select, and transmit these personal technology experiences.
Keywords: Synesthesia Research, Educational Technologies, Association, Perception, Artistic Worldview, Aesthetic Synesthesia, Psychological Aesthetics
References:
1. Bacci Francesca & Melcher David, Making Sense of Art, making Art of Sense: Two Centuries of Technological Experimentation, Oxford: “Oxford University Press”, 2008.
2. Bagrationi Irma, For the Issues of the World-View Online Foreign Language Learning, Proceedings: “SGEM 2018–5th International Multidisciplinary Scientific Conference on Social Sciences and Arts” – Volume 5, Issue 2.2, ISSN 2367-5659, ISBN 978-619-7408-53-9, DOI: 10.5593/sgemsocial2018/2.2, Published by STEF92 Technology Ltd., 51, „Alexander Malinov“Blvd.,1712 Sofia, Albena Co., Bulgaria. 2018, pp. 497-504.
3. Campen Cretien van, “The Hidden Sense: On Becoming Aware of Synesthesia”, New-York City, Published by “Anchor Books & Doubleday”, 2012.
4. Campen Cretien van, Visual Music and Musical Paintings, The Quest for Synesthesia in the Arts, New York, Hauppauge, Published by “Barron’s Educational Series Publication”, 2009.
5. Didmanidze Ibraim, Beridze Zebur, Bagrationi Irma, On Ethical Use of Information Technologies in Educational Psychology, the Scientific Journal “Cross-Cultural Studies: Education and Science (CCS&ES)”, Volume 5, Issue 4, 2020 (1), Publisher: Beyer Thomas Robert, Published by “Middlebury College”, Vermont, USA, ISSN: 2470-1262, 2020, pp. 114-125.
6. Didmanidze I., Beridze Z. and Bagrationi I., On the Ethical Values of Business and Technology Education According to Erich Fromm’s Social Pedagogy Views, “6th International Multidisciplinary Scientific Conference on Social Sciences and Arts – SGEM 2019” Conference Proceedings: Volume 6, ISBN 978-619-7408-75-1, ISSN 2367-5659, Published by STEF92 Technology Ltd., 51„Alexander Malinov“ Blvd., 1712 Sofia, Bulgaria, 2019. pp. 53-62.
7. De Broucker Theodor, “Synaesthesia, an Augmented Sensory World: Phenomenology and Literature Review”, Translated & Edited by J. Storch, P. Rodney, & R. Starzomski, Toronto, Publisher: Pearson & Published by “Prentice Hall”, 2001.
8. Dailey John, “Creativity, Synesthesia, and Physiognomic Perception”, Creativity Research Journal “Computer Games and Instruction”, Volume 10, Issue 2, London, 2010.
9. Gilbert Katharine Everett & Kuhn Helmut, A History of Aesthetics, Revised and Enlarged,
London, Published by “Thames and Hudson”, 2000. – 679 p.
10. Gribova Natalia, “The Synesthesia as the Component of Aesthetic Communications in Figurative Contexts Semantically Connected with Music” – Collective Monograph published following the results of GISAP – the International Scientific-Research and Practical Conference of Space Sciences – by International Academy of Science and Higher Education(IASHE, London, United Kingdom), Published by “IASHE”, London, 2016, pp. 25-28.
11. Simner Julia & Hubbard Edward, “Variants of Synesthesia Interact in Cognitive Tasks:
Evidence for Implicit Associations and Late Connectivity in Cross-Talk Theories”, New
York, Imprint of Random House Publishing Group “Villard Books”, 2004.
12. Steen Carol, “Visions Shared: A Firsthand Look into Synesthesia and Art”, the Fifth Edition, New York, Published by “New-York University Press”, 2001.
Information about the authors: Ibraim Didmanidze – Doctor of Information Technology, Associate Professor of Batumi Shota Rustaveli State University (Georgia, Batumi, Ninoshvili Street 35, 6010) Mobile Phone: (+995) 599 276 600 E-mail: ibraimd@mail.ru
Irma Bagrationi – Doctor of Philosophy, Assistant Professor (in Philosophy) of Batumi Shota Rustaveli State University (Georgia, Batumi, Ninoshvili Street 35, 6010) Mobile Phone: (+995) 599 947 668 E-mail: irma.bagrationi@bsu.edu.ge
For citation: Didmanidze Ibraim, Bagrationi Irma, (2020).
On Educational Technologies for Aesthetic Synesthesia Research.
Cross-Cultural Studies: Education and Science
Vol.5, Issue 2 (2020), pp. 67-78 (in USA)